Menjawab panggilan-Nya 08111-34-1212 adalah satu kegiatan yang tentu dilakukan. Sebagai seorang moeslim pernah sesungguhnya min satu kali seumur hidupnya bisa berangjangsana ataupun memanjatkan syukur di dalam tanah keluhuran Agama Islam yaitu Makkah Al Mukaromah. travel umroh 2022 ini bakal mengantar Anda menuju ke sana, bercengkerama dgn saudara muslim lainnya pada seluruh penjuru dunia. Cuma dzikir yang terucap di dalam tiap-tiap hela nafas akhirnya akan menemukan ribuan kali lipat ganjaran dekat 9 hari bersambang Hanya melalui agen biro umroh sah kementrian agama yg ada dalam Indonesia. Memfasilitasi kemauan umum untuk segera bisa memandang kebanggan Baitullah, lalu pt. alhijaz indowisata jakarta timur dengan semua kinerjanya mengaktualkan sesuatu agenda yang dibuat eksklusiv bakal semua peserta tamu Allah yaitu travel umroh 2022 umrohh. Salah satu skedul awal tahun yg dibimbing dgn melibatkan Ustad yang mampu pada bidangnya. yg dengan segala kehebatan ilmu agama-Nya akan menyerahkan keahliannya itu dalam seakan-akan di dalam umroh 2022 tersebut. Biarpun begitu agenda ini terhitung di paket promo umroh 2022 dimana tarif umroh yg dipilih taklah begitu mahal. Peluang yang Kemungkinan langka ini, bisa digunakan dengan sepantasnya. sepantasnya Alhasil kesejukan batin akan didapat pada promo umroh 2022 yg telah tersusun dengan pelayanan yang maksimal dan lagi tersertifikasi pada badan terkait yg menjamin perjalanan ibadah suci inilah.
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Pada tanggal 12 Desember 2008, untuk pertama kalinya Para Pendiri memprakarsai pendirian Biro Perjalanan Wisata ini dengan Nama Dagang atau Trade Mark “Khalista Tour”, yang selanjutnya dikukuhkan sebagai Badan Hukum PT. Alif Khalista Tour 0leh Notaris H. Zarius Yan, SH dengan Akta Nomor 16 pada tanggal 14 Desember 2010, serta Tanda Daftar Perusahaan Perseroan Terbatas Nomor 09.04.1.79.32380 tanggal 07 Juli 2011 dari Pemerintah Provinsi DKI Jakarta, serta Pengesahan Badan Hukum Perseroan dari Kementrian Hukum dan Hak Asasi Manusia Republik Indonesia dengan Daftar Perseroan Nomor AHU-0020256.AH.01.09.Tahun 2011 tanggal 11 Maret 2011, serta Izin Operasional Biro Perjalanan Wisata Nomor 1476/2011 Dinas Pariwisata dan Kebudayaan Provinsi Daerah Khusus Ibukota Jakarta. Sedangkan sebagai Penyelenggara Perjalanan Ibadah Umroh (PPIU), Perusahaan ini memiliki Perizinan Resmi dari Departemen Agama No. D/772, tanggal 03 Desember 2013.
Perusahaan ini juga terdaftar sebagai Anggota dari Association of The Indonesian Tours & Travel Agencies (ASITA) dengan Nomor Keanggotaan 1493 sejak 16 Desember 2011.
Nama “Khalista” sendiri terinspirasi dari nama Kalista, yaitu nama salah satu Dewi dari mythologi Yunani kuno yang berparas cantik menawan, yang mana dalam Dunia Pariwisata Kecantikan identik dengan Keindahan. Sehingga Khalista Tour lebih kurang bermakna sebagai Wisata indah dan mengesankan yang membekas kenangan manis tak terlupakan bagi Pesertanya.
‘Signature Product’ dari Khalista Tour adalah Umroh Plus dengan Wisata Muslim Mancanegara sebagai destinasi lanjutannya, seperti West Europe, United Kingdom, Andalucia (Spain) & Morocco, Turkey, Russia, Uzbekistan, dan lain sebagainya.
Ghostly Voices From Thomas Edison’s Dolls Can Now Be Heard
Though Robin and Joan Rolfs owned two rare talking dolls manufactured by Thomas Edison’s phonograph company in 1890, they did not dare play the wax cylinder records tucked inside each one.
The Rolfses, longtime collectors of Edison phonographs, knew that if they turned the cranks on the dolls’ backs, the steel phonograph needle might damage or destroy the grooves of the hollow, ring-shaped cylinder. And so for years, the dolls sat side by side inside a display cabinet, bearers of a message from the dawn of sound recording that nobody could hear.
In 1890, Edison’s dolls were a flop; production lasted only six weeks. Children found them difficult to operate and more scary than cuddly. The recordings inside, which featured snippets of nursery rhymes, wore out quickly.
Yet sound historians say the cylinders were the first entertainment records ever made, and the young girls hired to recite the rhymes were the world’s first recording artists.
Year after year, the Rolfses asked experts if there might be a safe way to play the recordings. Then a government laboratory developed a method to play fragile records without touching them.
A recording heard from Edison’s Talking Doll. (Audio quality is low.)
The technique relies on a microscope to create images of the grooves in exquisite detail. A computer approximates — with great accuracy — the sounds that would have been created by a needle moving through those grooves.
In 2014, the technology was made available for the first time outside the laboratory.
“The fear all along is that we don’t want to damage these records. We don’t want to put a stylus on them,” said Jerry Fabris, the curator of the Thomas Edison Historical Park in West Orange, N.J. “Now we have the technology to play them safely.”
Last month, the Historical Park posted online three never-before-heard Edison doll recordings, including the two from the Rolfses’ collection. “There are probably more out there, and we’re hoping people will now get them digitized,” Mr. Fabris said.
The technology, which is known as Irene (Image, Reconstruct, Erase Noise, Etc.), was developed by the particle physicist Carl Haber and the engineer Earl Cornell at Lawrence Berkeley. Irene extracts sound from cylinder and disk records. It can also reconstruct audio from recordings so badly damaged they were deemed unplayable.
“We are now hearing sounds from history that I did not expect to hear in my lifetime,” Mr. Fabris said.
The Rolfses said they were not sure what to expect in August when they carefully packed their two Edison doll cylinders, still attached to their motors, and drove from their home in Hortonville, Wis., to the National Document Conservation Center in Andover, Mass. The center had recently acquired Irene technology.
A recording from Edison’s Talking Doll. (Audio quality is low.)
Cylinders carry sound in a spiral groove cut by a phonograph recording needle that vibrates up and down, creating a surface made of tiny hills and valleys. In the Irene set-up, a microscope perched above the shaft takes thousands of high-resolution images of small sections of the grooves.
Stitched together, the images provide a topographic map of the cylinder’s surface, charting changes in depth as small as one five-hundredth the thickness of a human hair. Pitch, volume and timbre are all encoded in the hills and valleys and the speed at which the record is played.
At the conservation center, the preservation specialist Mason Vander Lugt attached one of the cylinders to the end of a rotating shaft. Huddled around a computer screen, the Rolfses first saw the wiggly waveform generated by Irene. Then came the digital audio. The words were at first indistinct, but as Mr. Lugt filtered out more of the noise, the rhyme became clearer.
“That was the Eureka moment,” Mr. Rolfs said.
In 1890, a girl in Edison’s laboratory had recited:
The first recording heard from Edison’s Talking Doll. (Audio quality is low.)
Right in the middle of her forehead.
When she was good,
She was very, very good.
But when she was bad, she was horrid.
Recently, the conservation center turned up another surprise.
In 2010, the Woody Guthrie Foundation received 18 oversize phonograph disks from an anonymous donor. No one knew if any of the dirt-stained recordings featured Guthrie, but Tiffany Colannino, then the foundation’s archivist, had stored them unplayed until she heard about Irene.
Last fall, the center extracted audio from one of the records, labeled “Jam Session 9” and emailed the digital file to Ms. Colannino.
“I was just sitting in my dining room, and the next thing I know, I’m hearing Woody,” she said. In between solo performances of “Ladies Auxiliary,” “Jesus Christ,” and “Dead or Alive,” Guthrie tells jokes, offers some back story, and makes the audience laugh. “It is quintessential Guthrie,” Ms. Colannino said.
The Rolfses’ dolls are back in the display cabinet in Wisconsin. But with audio stored on several computers, they now have a permanent voice.
