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saco-indonesia.com, Ciri Orang Yang Berpikir Positif Yang Utama Adalah Optimisme

Optimisme adalah sebuah pemikiran penuh harapan dan percaya diri bahwa apa yang ditujunya akan tercapai. Optimisme adalah pandangan yang penuh harap. Sebuah sikap optimis bisa lahir saat seseorang memiliki keyakinan yang kuat bahwa dia bisa mencapai apa yang dia harapkan. Inilah ciri orang yang berpikir positif.

“Tapi, bagaimana saya bisa optimis? Saya memiliki banyak kekurangan.”

Optimisme tidak ada hubungannya dengan kekurangan. Siapa yang tidak punya kekurangan? Orang yang optimis akan yakin bahwa dia juga mampu mengatasi semua kekurangan yang ada. Tidak punya modal untuk bisnis? Dia yakin bahwa dia akan mendapatkan modal tersebut. Tidak bisa bahasa Inggris untuk mendapatkan kerja? Orang optimis yakin bahwa dia bisa mempelajari bahasa Inggris. Kekurangan, sama sekali tidak mempengaruhi optimisme. Ciri orang yang berpikir positif tetap yakin meski dia banyak kekurangan, karena dia yakin selalu ada jalan keluar.

Lalu, dari manakah sumber keyakinan ini? Jika kita membaca literatur barat yang ditulis oleh mereka yang bukan beragama Islam, mereka mengatakan bahwa sumber keyakinan kita hanya berasal dari potensi dan kekuatan pikiran kita. Memang benar, bahwa kita sudah diberikan postensi yang besar oleh Allah SWT, tetapi sumber keyakinan itu bukan hanya berasal dari potensi diri kita atau pikiran kita, tetapi –yang utama– kita yakin karena Allah SWT akan menolong, membantu, memberikan petunjuk, dan mengabulkan do’a kita.
Berpikir Positif dan Kritis

“Tapi… kita juga perlu berpikir kritis.”

Salah! Yang kita perlukan ialah: kita perlu berpikir kritis, kreatif, dan rasional. Jadi bukan berpikir kritis dan positif saja. Silahkan selami situs ini, Anda akan menemukan pembahasan tentang berpikir kritis, kreatif, dan rasional. Artikel ini memang khusus membahas ciri orang yang berpikir positif.

Berpikir positif bukan berarti kita memandang semua hal menjadi positif, apalagi menjadi benar. Bukan berarti apa pun yang dilakukan oleh orang lain, kita berkata “berpikir positif saja!” Kadang kata-kata ini juga sebagai alat untuk pembenaran diri juga. Saat ada orang yang menyalahkan dia, dia mengatakan “Kamu harus berpikir positif.” Salah adalah salah, benar adalah benar.

Berpikir positif lebih kepada kemampuan memikirkan hal yang positif dari apa pun kejadian dan kondisi. Bukan menjadikan hal negatif menjadi positif, tetapi mampu memikirkan hal yang positif dari kondisi atau kejadian negatif sekali pun. Yang salah tetap salah, namun kita bisa melihat (baca memikirkan) hal positif dari kesalahan itu. Itulah yang disebut dengan hikmah. Berpikir positif akan berkiatan dengan hikmah.

Jadi berpikir positif tidak memupus kemampuan kita berpikir kritis.
Tidak Mudah Menjadi Negatif

Seperti angka, semakin besar angka positif akan semakin sulit untuk menjadi negatif. Jika kondisi Anda positif pada sekala 10, maka akan tetap positif jika masuk pikiran negatif pada sekala 4. Mungkin skala pikiran positif Anda berkurang menjadi 6. Optimisme Anda masih ada tetapi sedikit berkurang. Ciri orang yang berpikir positif tidak akan mudah berubah menjadi pesimis, apalagi jika dia memiliki pikiran positif pada sekalan 100, maka pikiran negatif pada skala 4 tidak akan terasa.

Orang yang semangat dan memiliki optimisme tetapi masih mudah terganggu, artinya tingkat pikiran positifnya masih rendah. Dia memiliki ciri orang yang berpikir positif, tetapi masih rendah. Jika Anda merasa, Anda harus meningkatkannya.
Mampu Melihat Cahaya

Jika diibaratkan, ciri orang yang berpikir positif adalah mampu melihat cahaya atau potensi cahaya. Hal yang positif itu ibarat cahaya atau penerang. Jika meski dia melihat/mengalami persitiwa senegatif apapun, dia akan melihat cahaya dan selalu melihat harapan. Optimisme didapat karena dia mampu melihat cahaya yang akan menerangi jalannya.

Orang yang berpikir positif, akan mampu melihat tabir atau kegelapan yang menghalanginya dari cita-cita atau tujuan besar sekali pun seperti yang dibahas pada artikel ini.

Sumber : http://www.motivasi-islami.com

Ciri orang yang berpikir positif
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United’s first-class and business fliers get Rhapsody, its high-minded in-flight magazine, seen here at its office in Brooklyn. Credit Sam Hodgson for The New York Times

Last summer at a writers’ workshop in Oregon, the novelists Anthony Doerr, Karen Russell and Elissa Schappell were chatting over cocktails when they realized they had all published work in the same magazine. It wasn’t one of the usual literary outlets, like Tin House, The Paris Review or The New Yorker. It was Rhapsody, an in-flight magazine for United Airlines.

It seemed like a weird coincidence. Then again, considering Rhapsody’s growing roster of A-list fiction writers, maybe not. Since its first issue hit plane cabins a year and a half ago, Rhapsody has published original works by literary stars like Joyce Carol Oates, Rick Moody, Amy Bloom, Emma Straub and Mr. Doerr, who won the Pulitzer Prize for fiction two weeks ago.

As airlines try to distinguish their high-end service with luxuries like private sleeping chambers, showers, butler service and meals from five-star chefs, United Airlines is offering a loftier, more cerebral amenity to its first-class and business-class passengers: elegant prose by prominent novelists. There are no airport maps or disheartening lists of in-flight meal and entertainment options in Rhapsody. Instead, the magazine has published ruminative first-person travel accounts, cultural dispatches and probing essays about flight by more than 30 literary fiction writers.

 

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Sean Manning, executive editor of Rhapsody, which publishes works by the likes of Joyce Carol Oates, Amy Bloom and Anthony Doerr, who won a Pulitzer Prize. Credit Sam Hodgson for The New York Times

 

An airline might seem like an odd literary patron. But as publishers and writers look for new ways to reach readers in a shaky retail climate, many have formed corporate alliances with transit companies, including American Airlines, JetBlue and Amtrak, that provide a captive audience.

Mark Krolick, United Airlines’ managing director of marketing and product development, said the quality of the writing in Rhapsody brings a patina of sophistication to its first-class service, along with other opulent touches like mood lighting, soft music and a branded scent.

“The high-end leisure or business-class traveler has higher expectations, even in the entertainment we provide,” he said.

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Some of Rhapsody’s contributing writers say they were lured by the promise of free airfare and luxury accommodations provided by United, as well as exposure to an elite audience of some two million first-class and business-class travelers.

“It’s not your normal Park Slope Community Bookstore types who read Rhapsody,” Mr. Moody, author of the 1994 novel “The Ice Storm,” who wrote an introspective, philosophical piece about traveling to the Aran Islands of Ireland for Rhapsody, said in an email. “I’m not sure I myself am in that Rhapsody demographic, but I would like them to buy my books one day.”

In addition to offering travel perks, the magazine pays well and gives writers freedom, within reason, to choose their subject matter and write with style. Certain genres of flight stories are off limits, naturally: no plane crashes or woeful tales of lost luggage or rude flight attendants, and nothing too risqué.

“We’re not going to have someone write about joining the mile-high club,” said Jordan Heller, the editor in chief of Rhapsody. “Despite those restrictions, we’ve managed to come up with a lot of high-minded literary content.”

Guiding writers toward the right idea occasionally requires some gentle prodding. When Rhapsody’s executive editor asked Ms. Russell to contribute an essay about a memorable flight experience, she first pitched a story about the time she was chaperoning a group of teenagers on a trip to Europe, and their delayed plane sat at the airport in New York for several hours while other passengers got progressively drunker.

“He pointed out that disaster flights are not what people want to read about when they’re in transit, and very diplomatically suggested that maybe people want to read something that casts air travel in a more positive light,” said Ms. Russell, whose novel “Swamplandia!” was a finalist for the 2012 Pulitzer Prize.

She turned in a nostalgia-tinged essay about her first flight on a trip to Disney World when she was 6. “The Magic Kingdom was an anticlimax,” she wrote. “What ride could compare to that first flight?”

Ms. Oates also wrote about her first flight, in a tiny yellow propeller plane piloted by her father. The novelist Joyce Maynard told of the constant disappointment of never seeing her books in airport bookstores and the thrill of finally spotting a fellow plane passenger reading her novel “Labor Day.” Emily St. John Mandel, who was a finalist for the National Book Award in fiction last year, wrote about agonizing over which books to bring on a long flight.

“There’s nobody that’s looked down their noses at us as an in-flight magazine,” said Sean Manning, the magazine’s executive editor. “As big as these people are in the literary world, there’s still this untapped audience for them of luxury travelers.”

United is one of a handful of companies showcasing work by literary writers as a way to elevate their brands and engage customers. Chipotle has printed original work from writers like Toni Morrison, Jeffrey Eugenides and Barbara Kingsolver on its disposable cups and paper bags. The eyeglass company Warby Parker hosts parties for authors and sells books from 14 independent publishers in its stores.

JetBlue offers around 40 e-books from HarperCollins and Penguin Random House on its free wireless network, allowing passengers to read free samples and buy and download books. JetBlue will start offering 11 digital titles from Simon & Schuster soon. Amtrak recently forged an alliance with Penguin Random House to provide free digital samples from 28 popular titles, which passengers can buy and download over Amtrak’s admittedly spotty wireless service.

Amtrak is becoming an incubator for literary talent in its own right. Last year, it started a residency program, offering writers a free long-distance train trip and complimentary food. More than 16,000 writers applied and 24 made the cut.

Like Amtrak, Rhapsody has found that writers are eager to get onboard. On a rainy spring afternoon, Rhapsody’s editorial staff sat around a conference table discussing the June issue, which will feature an essay by the novelist Hannah Pittard and an unpublished short story by the late Elmore Leonard.

“Do you have that photo of Elmore Leonard? Can I see it?” Mr. Heller, the editor in chief, asked Rhapsody’s design director, Christos Hannides. Mr. Hannides slid it across the table and noted that they also had a photograph of cowboy spurs. “It’s very simple; it won’t take away from the literature,” he said.

Rhapsody’s office, an open space with exposed pipes and a vaulted brick ceiling, sits in Dumbo at the epicenter of literary Brooklyn, in the same converted tea warehouse as the literary journal N+1 and the digital publisher Atavist. Two of the magazine’s seven staff members hold graduate degrees in creative writing. Mr. Manning, the executive editor, has published a memoir and edited five literary anthologies.

Mr. Manning said Rhapsody was conceived from the start as a place for literary novelists to write with voice and style, and nobody had been put off that their work would live in plane cabins and airport lounges.

Still, some contributors say they wish the magazine were more widely circulated.

“I would love it if I could read it,” said Ms. Schappell, a Brooklyn-based novelist who wrote a feature story for Rhapsody’s inaugural issue. “But I never fly first class.”

Rhapsody, a Lofty Literary Journal, Perused at 39,000 Feet

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