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Apple Akan Gugat Galaxy S4
Saco-
Indonesia.com - Perseteruan antara Apple dan Samsung tampaknya akan kembali memanas di
pengadilan. Apple diketahui telah meminta pengadilan distrik AS untuk memasukkan
smartphone Samsung Galaxy S4 dalam daftar tuntutan.
Apple telah
menganalisis Galaxy S4 dan akhirnya memutuskan untuk masuk ke daftar produk yang melanggar hak
paten, seperti dikutip dari GSMArena, Jumat (17/5/2013).
Saat ini,
dalam daftar tersebut, Apple sudah memiliki 22 nama produk yang dianggap melanggar hak paten
mereka. Apabila ingin mendaftarkan produk Galaxy S4 ke daftar "hitam" ini, Apple
setidaknya harus "membuang" sebuah produk lain dari kasus tersebut.
Samsung sebenarnya juga memiliki daftar berisikan 22 produk Apple yang dianggap melanggar
paten.
Meski begitu, saat menjelang persidangan nanti, kedua perusahaan
tersebut harus mengurangi jumlah produk dalam daftar menjadi masing-masing 10 perangkat.
Keduanya juga harus mengurangi jumlah paten yang dituntut menjadi lima perangkat.
Samsung Galaxy S4 sendiri saat ini telah menjadi mesin uang bagi Samsung. Produk ini
mendapatkan respon yang sangat positif dari pasaran.
Tidak sampai sebulan,
perangkat tersebut sudah laku 6 juta unit. Samsung Galaxy S4 juga telah mencetak rekor perangkat
Android high-end dengan waktu penjualan tercepat, yaitu 4 juta perangkat hanya dalam
waktu 5 hari.
Berikut daftar produk Samsung yang dituntut oleh Apple.
- Admire
- Captivate Glide
- Conquer 4G
- Dart
- Exhibit II
4G
- Galaxy Nexus
- Galaxy Note
- Galaxy Note 10.1
- Galaxy
Note II
- Galaxy Player 4.0
- Galaxy Player 5.0
- Galaxy Rugby Pro
- Galaxy S II
- Galaxy S II Epic 4G Touch
- Galaxy S II Skyrocket
- Galaxy S III
- Galaxy Tab 7.0 Plus
- Galaxy Tab 8.9
- Galaxy Tab
2 10.1
- Illusion
- Stratosphere
- Transform Ultra
Sedangkan produk Apple yang dituntut oleh Samsung adalah:
- iPhone 3G
-
iPhone 3GS
- iPhone 4
- iPhone 4S
- iPhone 5
- iPad
- iPad 2
- iPad 3
- iPad 4
- iPad mini
- iPod Touch (5th
generation)
- iPod Touch (4th generation)
- iPod Touch (3rd generation)
- MacBook Air
- MacBook Pro
- iMac
- Mac mini
- Mac
Pro
- iTunes (including iTunes Match)
- iCloud
- Apple TV (3rd
generation)
- Apple TV (1st generation)
Ghostly Voices From Thomas Edison’s Dolls Can Now Be Heard
Though Robin and Joan Rolfs owned two rare talking dolls manufactured by Thomas Edison’s phonograph company in 1890, they did not dare play the wax cylinder records tucked inside each one.
The Rolfses, longtime collectors of Edison phonographs, knew that if they turned the cranks on the dolls’ backs, the steel phonograph needle might damage or destroy the grooves of the hollow, ring-shaped cylinder. And so for years, the dolls sat side by side inside a display cabinet, bearers of a message from the dawn of sound recording that nobody could hear.
In 1890, Edison’s dolls were a flop; production lasted only six weeks. Children found them difficult to operate and more scary than cuddly. The recordings inside, which featured snippets of nursery rhymes, wore out quickly.
Yet sound historians say the cylinders were the first entertainment records ever made, and the young girls hired to recite the rhymes were the world’s first recording artists.
Year after year, the Rolfses asked experts if there might be a safe way to play the recordings. Then a government laboratory developed a method to play fragile records without touching them.
The technique relies on a microscope to create images of the grooves in exquisite detail. A computer approximates — with great accuracy — the sounds that would have been created by a needle moving through those grooves.
In 2014, the technology was made available for the first time outside the laboratory.
“The fear all along is that we don’t want to damage these records. We don’t want to put a stylus on them,” said Jerry Fabris, the curator of the Thomas Edison Historical Park in West Orange, N.J. “Now we have the technology to play them safely.”
Last month, the Historical Park posted online three never-before-heard Edison doll recordings, including the two from the Rolfses’ collection. “There are probably more out there, and we’re hoping people will now get them digitized,” Mr. Fabris said.
The technology, which is known as Irene (Image, Reconstruct, Erase Noise, Etc.), was developed by the particle physicist Carl Haber and the engineer Earl Cornell at Lawrence Berkeley. Irene extracts sound from cylinder and disk records. It can also reconstruct audio from recordings so badly damaged they were deemed unplayable.
“We are now hearing sounds from history that I did not expect to hear in my lifetime,” Mr. Fabris said.
The Rolfses said they were not sure what to expect in August when they carefully packed their two Edison doll cylinders, still attached to their motors, and drove from their home in Hortonville, Wis., to the National Document Conservation Center in Andover, Mass. The center had recently acquired Irene technology.
Cylinders carry sound in a spiral groove cut by a phonograph recording needle that vibrates up and down, creating a surface made of tiny hills and valleys. In the Irene set-up, a microscope perched above the shaft takes thousands of high-resolution images of small sections of the grooves.
Stitched together, the images provide a topographic map of the cylinder’s surface, charting changes in depth as small as one five-hundredth the thickness of a human hair. Pitch, volume and timbre are all encoded in the hills and valleys and the speed at which the record is played.
At the conservation center, the preservation specialist Mason Vander Lugt attached one of the cylinders to the end of a rotating shaft. Huddled around a computer screen, the Rolfses first saw the wiggly waveform generated by Irene. Then came the digital audio. The words were at first indistinct, but as Mr. Lugt filtered out more of the noise, the rhyme became clearer.
“That was the Eureka moment,” Mr. Rolfs said.
In 1890, a girl in Edison’s laboratory had recited:
There was a little girl,
And she had a little curl
Right in the middle of her forehead.
When she was good,
She was very, very good.
But when she was bad, she was horrid.
Recently, the conservation center turned up another surprise.
In 2010, the Woody Guthrie Foundation received 18 oversize phonograph disks from an anonymous donor. No one knew if any of the dirt-stained recordings featured Guthrie, but Tiffany Colannino, then the foundation’s archivist, had stored them unplayed until she heard about Irene.
Last fall, the center extracted audio from one of the records, labeled “Jam Session 9” and emailed the digital file to Ms. Colannino.
“I was just sitting in my dining room, and the next thing I know, I’m hearing Woody,” she said. In between solo performances of “Ladies Auxiliary,” “Jesus Christ,” and “Dead or Alive,” Guthrie tells jokes, offers some back story, and makes the audience laugh. “It is quintessential Guthrie,” Ms. Colannino said.
The Rolfses’ dolls are back in the display cabinet in Wisconsin. But with audio stored on several computers, they now have a permanent voice.