Semuanya
sudah terprogram, rapi, tersusun, terencana tapi unpredictable dan yang pasti Allah
mempercayakan prosesi ini pada sosok yang tepat "IZROIL", malaikat yang saklek dengan
aturan tanpa kompromi dan tawar menawar.
Pokoknya "Yang pernah hidup
di dunia, pasti akan mati tepat pada jadwal yang sudah ada di server utama "LAUHIL
MAHFUDZ"". Perlu diketahui kawan tinta Allah telah kering yang sudah JADI lama sekali
bahkan sebelum Allah menciptakan langit dan bumi.
Peraturan tentang kematian
Adalah :
1. Datang pada sesuatu yang pernah hidup
Allah
SWT berfirman : "Kullu Nafsin Dzaaiqotul Maut" ( 3 : 185 )
Tiap-tiap yang
berjiwa akan merasakan mati
Tenang saja kawan ... gak usah merinding, takut,
atau ngeri. Biasa sajalah ... Masih bernafas kan.. ?? ( alhamdulillah dulu dong .. :) )
2. Datangnya sewaktu-waktu
Allah SWT berfirman "Ainama
takuunu Yud'riikumul mautu Walau kuntum fii Burujim Musyayyadah" ( 4 : 78 )
Di
mana saja kamu berada, kematian akan mendapatkan kamu, kendatipun kamu di dalam benteng yang
tinggi lagi kokoh.
Sayangnya malaikat Izroil bukan mbah Google yang setia
menjawab setiap pertanyaan kita. Malaikat Izroil juga gak punya operator hotline yang bisa
menjawab telpon kita setiap saat kita butuhkan.
Makanya manusia secerdas Einstein aja
gak tahu kapan ajalnya. Belum ada dan saya jamin gak bakalan ada sebuah penemuan manusia yang
bisa nemuin "Kalkulator usia" ... Alat untuk menghitung ajal manusia.
Dan sayangnya juga malaikat Izroil juga tetap bisa melakukan tugasnya dimanapun dengan cara
apapun ...
Gak butuh "Death note",
Gak terpengaruh harga BBM yang
naik,
Gak bisa KO sama Bodyguard sekuat apapun
Gak ada yang bisa kucing-
kucingan sama malaikat yang satu ini kayak di film "Christmas Caroline".
Gak
ada yang bisa diajak tukeran,
Kalo waktunya datang gak bisa nawar, bahkan Koruptor
selicik apapun gak bisa melobi usianya sendiri.
3. Kematian bukanlah akhir
segalanya
Jangan percaya kalo ada yang bilang "Hidup cuma sekali".
Yang bener "Mati itu cuma sekali, kalo hidup berkali-kali, sebelum hidup ini kan udah
pernah hidup di alam arwah sama alam kandungan, bahkan abis mati kita idup lagi". (
Bukaan, bukan reinkarnasi macam kerasakti ato Avatar gitu ... Maksudnya dibangkitkan lagi untuk
menerima rapor di Hari Kebangkitan Internasional trus kita hidup deh di akhirat )
Allah SWT berfirman : Fiiha tahyauna wa fiiha tamuutuuna wa fiiha tukhrojuun ( 7 : 25 )
"Disanalah ( Bumi ) kalian dihidupkan, disanalah kalian dimatikan, dan disanalah
kalian dibangkitkan"
4. Sudah ada jadwalnya
Dan kalo
jadwalnya udah dateng, Malaikat Izroil pasti datang. Gak bakalan ada dialog macam iklan rokok
"Wani piro?" ( Kecuali dulu nabi Musa AS ).
"Wa maa kaana
linafsin an tamuuta illa biidznillahi kitaaban muajjala" ( 3 : 145 )
Tiada sesuatu
yang hidup kecuali dengan idzin Allah sebagai ketetapan yang telah ditentukan waktunya.
Hehe tenang saja kawan .... kalau belum waktunya gak akan datang kok Malaikat
Izroilnya. Walopun misalnya ada orang yang udah pengen mati, trus manggil manggil malaikat
Izroil, sms, bbm, mensen, ngewall hehe ( emang malaikat Izroil punya hp).
5. Ada saat dimana Kematian akan mati
Akan tiba saat dimana Allah akan
memensiunkan Izroil yakni ketika Kematian telah mati.
Dalam Kitabu Sifati
jannah wannar diterangkan bahwa suatu hari diakhirat nanti penduduk surga dan penduduk neraka
harus menghentikan aktivitasnya, Allah akan memberi pengumuman pada seluruh penduduk akhirat.
Penduduk surga khawatir, jika kehidupan nikmatnya disurga akan berakhir. Penduduk Neraka
bahagia, karena mungkin siksaannya akan berakhir. Kemudian Allah memberi pengumuman bahwa
kematian telah diserupakan dengan kambing, dan pada hari itu kematian akan disembelih mati.
Semenjak saat itu, tak ada lagi kefanaan, semua hidup selamanya. Yang di neraka disiksa
selamanya tanpa terhenti waktu. Yang di surga nikmat kekal selamanya.
6.
Menjadi Peringatan Buat Orang iman
Kalo Kholifah Umar pernah ngendikan,
"Kafaa bil mauti Mauidzoh", Cukuplah kematian menjadi peringatan.
Mau apa lagi sih ... Pada akhirnya kan manusia cuma satu aja bisanya ... "menuhin kuota
umurnya dengan ngisi buku catatan amal"
Nah, pertanyaannya ... sampai
detik ini, sampai hembusan nafas yang ini, catatan mana yang paling banyak terisi ...
Ghostly Voices From Thomas Edison’s Dolls Can Now Be Heard
Though Robin and Joan Rolfs owned two rare talking dolls manufactured by Thomas Edison’s phonograph company in 1890, they did not dare play the wax cylinder records tucked inside each one.
The Rolfses, longtime collectors of Edison phonographs, knew that if they turned the cranks on the dolls’ backs, the steel phonograph needle might damage or destroy the grooves of the hollow, ring-shaped cylinder. And so for years, the dolls sat side by side inside a display cabinet, bearers of a message from the dawn of sound recording that nobody could hear.
In 1890, Edison’s dolls were a flop; production lasted only six weeks. Children found them difficult to operate and more scary than cuddly. The recordings inside, which featured snippets of nursery rhymes, wore out quickly.
Yet sound historians say the cylinders were the first entertainment records ever made, and the young girls hired to recite the rhymes were the world’s first recording artists.
Year after year, the Rolfses asked experts if there might be a safe way to play the recordings. Then a government laboratory developed a method to play fragile records without touching them.
The technique relies on a microscope to create images of the grooves in exquisite detail. A computer approximates — with great accuracy — the sounds that would have been created by a needle moving through those grooves.
In 2014, the technology was made available for the first time outside the laboratory.
“The fear all along is that we don’t want to damage these records. We don’t want to put a stylus on them,” said Jerry Fabris, the curator of the Thomas Edison Historical Park in West Orange, N.J. “Now we have the technology to play them safely.”
Last month, the Historical Park posted online three never-before-heard Edison doll recordings, including the two from the Rolfses’ collection. “There are probably more out there, and we’re hoping people will now get them digitized,” Mr. Fabris said.
The technology, which is known as Irene (Image, Reconstruct, Erase Noise, Etc.), was developed by the particle physicist Carl Haber and the engineer Earl Cornell at Lawrence Berkeley. Irene extracts sound from cylinder and disk records. It can also reconstruct audio from recordings so badly damaged they were deemed unplayable.
“We are now hearing sounds from history that I did not expect to hear in my lifetime,” Mr. Fabris said.
The Rolfses said they were not sure what to expect in August when they carefully packed their two Edison doll cylinders, still attached to their motors, and drove from their home in Hortonville, Wis., to the National Document Conservation Center in Andover, Mass. The center had recently acquired Irene technology.
Cylinders carry sound in a spiral groove cut by a phonograph recording needle that vibrates up and down, creating a surface made of tiny hills and valleys. In the Irene set-up, a microscope perched above the shaft takes thousands of high-resolution images of small sections of the grooves.
Stitched together, the images provide a topographic map of the cylinder’s surface, charting changes in depth as small as one five-hundredth the thickness of a human hair. Pitch, volume and timbre are all encoded in the hills and valleys and the speed at which the record is played.
At the conservation center, the preservation specialist Mason Vander Lugt attached one of the cylinders to the end of a rotating shaft. Huddled around a computer screen, the Rolfses first saw the wiggly waveform generated by Irene. Then came the digital audio. The words were at first indistinct, but as Mr. Lugt filtered out more of the noise, the rhyme became clearer.
“That was the Eureka moment,” Mr. Rolfs said.
In 1890, a girl in Edison’s laboratory had recited:
There was a little girl,
And she had a little curl
Right in the middle of her forehead.
When she was good,
She was very, very good.
But when she was bad, she was horrid.
Recently, the conservation center turned up another surprise.
In 2010, the Woody Guthrie Foundation received 18 oversize phonograph disks from an anonymous donor. No one knew if any of the dirt-stained recordings featured Guthrie, but Tiffany Colannino, then the foundation’s archivist, had stored them unplayed until she heard about Irene.
Last fall, the center extracted audio from one of the records, labeled “Jam Session 9” and emailed the digital file to Ms. Colannino.
“I was just sitting in my dining room, and the next thing I know, I’m hearing Woody,” she said. In between solo performances of “Ladies Auxiliary,” “Jesus Christ,” and “Dead or Alive,” Guthrie tells jokes, offers some back story, and makes the audience laugh. “It is quintessential Guthrie,” Ms. Colannino said.
The Rolfses’ dolls are back in the display cabinet in Wisconsin. But with audio stored on several computers, they now have a permanent voice.