Jakarta, Saco-Indonesia.com -- Oleh vokalis Intan Ayu, celana panjang era 1990-an milik sang ibu "disulap" menjadi celana panjang skinny yang lebih sesuai dengan masa kini.

"Ini celana Nyokap (ibu) zaman dulu, aku kecilin, dan ini baju aku sendiri. Kalau sepatu ini aku beli sudah lama dan baru aku pakai karena masuk (cocok) sama pakaiannya," cerita Intan dalam wawancara di Hard Rock Cafe Pacific Place, Jakarta Selatan, Rabu (5/2/2014).

Menurutnya, tren fashion akan kembali ke era yang telah lalu. "Balik lagi, fashion itu akan balik lagi. Ini kan (yang sedang dikenakannya) model 1990-an. Daripada beli lagi yang baru, mending ini saja dimodifikasi," jelas Intan. "Celana gue robekin pakai batu yang digesek-gesek atau pakai cutter. Baju juga yang gue permak. Dari SD gue sudah biasa permak pakaian sendiri," lanjutnya.

Tangan kreatif Intan juga biasa memodifikasi sepatu koleksinya. "Sepatu kadang gue gambar atau motifnya gue hapus," ungkapnya.

Dengan hobinya itu, Intan tak pernah terburu-buru membuang atau memberikan pakaian lamanya kepada orang-orang lain. "Fashion itu kan berputar. Jadi, kalau ada barang lama, jangan dibuangin. Mungkin bisa dipakai lagi, banyak tools buat nge-recycle," jelasnya.

WASHINGTON — During a training course on defending against knife attacks, a young Salt Lake City police officer asked a question: “How close can somebody get to me before I’m justified in using deadly force?”

Dennis Tueller, the instructor in that class more than three decades ago, decided to find out. In the fall of 1982, he performed a rudimentary series of tests and concluded that an armed attacker who bolted toward an officer could clear 21 feet in the time it took most officers to draw, aim and fire their weapon.

The next spring, Mr. Tueller published his findings in SWAT magazine and transformed police training in the United States. The “21-foot rule” became dogma. It has been taught in police academies around the country, accepted by courts and cited by officers to justify countless shootings, including recent episodes involving a homeless woodcarver in Seattle and a schizophrenic woman in San Francisco.