Membuat video untuk disajikan di YouTube sebenarnya tidaklah sulit. Yang dibutuhkan hanyalah latihan dan beberapa petunjuk (tip) singkat dari ahlinya.

Salah satu ahli yang gemar membagikan petunjuk pembuatan video adalah Dennis Adhiswara. Ia adalah aktor, pembuat film, dan CEO Layaria, sebuah organisasi di mana para insan kreatif Indonesia berkumpul, berkolaborasi, dan berkreasi lewat medium web series.

Layaria merupakan salah satu YouTube partner di Indonesia.

Berikut 5 petunjuk untuk membuat video online.

1. Buatlah topik yang disukai. Bila sedang mencari ide, tanyalah pada diri sendiri: "Jika saya ada uang, apa yang akan dilakukan?". Pertanyaan ini merupakan latihan untuk mengetahui passion atau kegemaran sebenarnya. Jika membuat video yang tidak disuka, untuk apa harus repot-repot membuatnya?

2. Sharing is caring. Jika memiliki beberapa keterampilan, seperti memasak, merajut, dan menggambar, dan ingin di- sharing dengan penonton nasional atau global, jangan ragu, bagikanlah. Buatlah video yang sederhana dan secara terus menerus, - jangan berhenti!

3. Jangan takut dengan komentar negatif. Benar, tidak ada ide asli yang tersisa di dunia ini. Benar, kita harus memiliki sesuatu yang berbeda di video kita. Benar, sudah ada jutaan tutorial  memasak.  Namun, itu bukan alasan untuk tidak membuat video sendiri yang berkualitas dengan pendapat dan pandangan unik Anda. Ada yang akan benci tapi di internet itu sudah biasa.

4. Lebih hemat. Tidak diperlukan kamera kelas studio mahal untuk membuat saluran di YouTube sendiri. Bahkan webcam HD sederhana murah meriah sudah cukup. Pastinya, peralatan tersebut dapat di-upgrade di kemudian hari.

5. Berkolaborasi. Ini adalah keindahan Youtube: pengguna dapat berkolaborasi dengan penonton dan bahkan para ahli. Dapatkan lebih banyak pengalaman dan pengetahuan dengan mengundang penonton setia.  Kalau mau, terimalah permintaan atau ide-ide mereka. Lebih baik lagi, buatlah video bersama mereka.

TIPS RAHASIA: Menghasilkan uang dari Youtube. Sekarang semua pembuat konten di Indonesia bisa menghasilkan uang berdasarkan berapa banyak tampilan videonya ditonton. Sebenarnya cukup sederhana, tapi tidak banyak orang menyadarinya. Jika ingin mempelajari lebih lanjut, klik tombol 'partners' di bagian bawah situs utama Youtube.

Adv : jasa pembuatan website di jakarta


Though Robin and Joan Rolfs owned two rare talking dolls manufactured by Thomas Edison’s phonograph company in 1890, they did not dare play the wax cylinder records tucked inside each one.

The Rolfses, longtime collectors of Edison phonographs, knew that if they turned the cranks on the dolls’ backs, the steel phonograph needle might damage or destroy the grooves of the hollow, ring-shaped cylinder. And so for years, the dolls sat side by side inside a display cabinet, bearers of a message from the dawn of sound recording that nobody could hear.

In 1890, Edison’s dolls were a flop; production lasted only six weeks. Children found them difficult to operate and more scary than cuddly. The recordings inside, which featured snippets of nursery rhymes, wore out quickly.

Yet sound historians say the cylinders were the first entertainment records ever made, and the young girls hired to recite the rhymes were the world’s first recording artists.

Year after year, the Rolfses asked experts if there might be a safe way to play the recordings. Then a government laboratory developed a method to play fragile records without touching them.


The technique relies on a microscope to create images of the grooves in exquisite detail. A computer approximates — with great accuracy — the sounds that would have been created by a needle moving through those grooves.

In 2014, the technology was made available for the first time outside the laboratory.

“The fear all along is that we don’t want to damage these records. We don’t want to put a stylus on them,” said Jerry Fabris, the curator of the Thomas Edison Historical Park in West Orange, N.J. “Now we have the technology to play them safely.”

Last month, the Historical Park posted online three never-before-heard Edison doll recordings, including the two from the Rolfses’ collection. “There are probably more out there, and we’re hoping people will now get them digitized,” Mr. Fabris said.

The technology, which is known as Irene (Image, Reconstruct, Erase Noise, Etc.), was developed by the particle physicist Carl Haber and the engineer Earl Cornell at Lawrence Berkeley. Irene extracts sound from cylinder and disk records. It can also reconstruct audio from recordings so badly damaged they were deemed unplayable.

“We are now hearing sounds from history that I did not expect to hear in my lifetime,” Mr. Fabris said.

The Rolfses said they were not sure what to expect in August when they carefully packed their two Edison doll cylinders, still attached to their motors, and drove from their home in Hortonville, Wis., to the National Document Conservation Center in Andover, Mass. The center had recently acquired Irene technology.


Cylinders carry sound in a spiral groove cut by a phonograph recording needle that vibrates up and down, creating a surface made of tiny hills and valleys. In the Irene set-up, a microscope perched above the shaft takes thousands of high-resolution images of small sections of the grooves.

Stitched together, the images provide a topographic map of the cylinder’s surface, charting changes in depth as small as one five-hundredth the thickness of a human hair. Pitch, volume and timbre are all encoded in the hills and valleys and the speed at which the record is played.

At the conservation center, the preservation specialist Mason Vander Lugt attached one of the cylinders to the end of a rotating shaft. Huddled around a computer screen, the Rolfses first saw the wiggly waveform generated by Irene. Then came the digital audio. The words were at first indistinct, but as Mr. Lugt filtered out more of the noise, the rhyme became clearer.

“That was the Eureka moment,” Mr. Rolfs said.

In 1890, a girl in Edison’s laboratory had recited:

There was a little girl,

And she had a little curl


Right in the middle of her forehead.

When she was good,

She was very, very good.

But when she was bad, she was horrid.

Recently, the conservation center turned up another surprise.

In 2010, the Woody Guthrie Foundation received 18 oversize phonograph disks from an anonymous donor. No one knew if any of the dirt-stained recordings featured Guthrie, but Tiffany Colannino, then the foundation’s archivist, had stored them unplayed until she heard about Irene.

Last fall, the center extracted audio from one of the records, labeled “Jam Session 9” and emailed the digital file to Ms. Colannino.

“I was just sitting in my dining room, and the next thing I know, I’m hearing Woody,” she said. In between solo performances of “Ladies Auxiliary,” “Jesus Christ,” and “Dead or Alive,” Guthrie tells jokes, offers some back story, and makes the audience laugh. “It is quintessential Guthrie,” Ms. Colannino said.

The Rolfses’ dolls are back in the display cabinet in Wisconsin. But with audio stored on several computers, they now have a permanent voice.

Ghostly Voices From Thomas Edisonís Dolls Can Now Be Heard

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