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Awal dari AC (air Conditioner ) sudah dimulai sejak jaman Romawi yaitu dengan membuat penampung air yang mengalir di dalam dinding rumah sehingga menurunkan suhu ruangan , tetapi saat itu hanya orang tertentu saja yang bisa karena biaya membangunnya sangatlah mahal karena membutuhkan air dan juga bangunan yang tidak biasa.
Hanya para raja dan orang kaya saja yang dapat membangunnya.

Baru kemudian pada tahun 1820 ilmuwan Inggris bernama Michael Faraday menemukan cara baru mendinginkan udara dengan menggunakan Gas Amonia dan pada tahun 1842 seorang dokter menemukan cara mendinginkan ruangan dirumah sakit Apalachicola yang berada di Florida Ameika Serikat. Dr.Jhon Gorrie adalah yang menemukannya dan ini adalah cikal bakal dari tehnologi AC (air conditioner) tetapi sayangnya sebelum sempurna beliau sudah meninggal pada tahun 1855.

Willis Haviland Carrier seorang Insinyur dari New York Amerika menyempurnakan penemuan dari Dr.Jhon Gorrie tetapi AC ini digunakan bukan untuk kepentingan atau kenyamanan manusia melainkan untuk keperluan percetakan dan industri lainnya.
Penggunaan AC untuk perumahan baru dikembangkan pada tahun 1927 dan pertama dipakai disbuah rumah di Mineapolis, Minnesota.
Saat ini AC sudah digunakan disemua sektor, tidak hanya industri saja tetapi juga sudah di perkantoran dan perumahan dengan berbagai macam bentuk dari mulai yang besar hingga yang kecil.semuanya masih berfungsi sama yaitu untuk mendinginkan suhu ruangan agar orang merasa nyaman.

Jika musim panas tiba, biasanya kita selalu akrab dengan yang namanya kipas angin atau juga AC (Air Conditioner).
Sebab, kesejukan yang ditimbulkan oleh hawa kipas dan AC memang dibutuhkan untuk meredam hawa panas yang kadang sangat menyiksa.
Karena itu, berterima kasihlah kepada John Gorrie yang mencetuskan ide pembuatan AC.
Sebab, dengan hawa AC yang sejuk itu, kita tak perlu merasakan penderitaan karena hawa panas yang kadang membuat tubuh serasa lengket akibat keringat yang menetes.
Tapi, tahukah Anda jika John menciptakan AC karena terinspirasi oleh kepeduliannya terhadap orang sakit?.

Alkisah, John sebenarnya adalah seorang dokter berwarga negara Amerika Serikat.
Gagasannya membuat mesin pendingin berawal dari banyaknya pasien yang menderita malaria atau penyakin lain dengan gejala demam tinggi.
Ketika itu udara terasa panas sehingga membuat pasien tidak nyaman.
Maka, pria kelahiran Charleston, California Selatan, 3 Oktober 1802 ini memutar otak bagaimana caranya agar suhu tubuh para pasien bisa turun..
Setelah melihat kipas angin yang ada di depannya, ia menemukan ide.
Ia memasang bongkahan es batu di depan kipas, sehingga hawa dingin es bisa tersebar oleh tiupan angin dari kipas.Tercetus pada ide itu, maka John berniat menyeriusi pembuatan mesin pendingin (AC).
Maka, pada tahun 1844, pria lulusan kedokteran dan ilmu bedah di kota New York ini merancang dan mengembangkan mesin eksperimen pembuat es.
Mesin ciptaannya didasarkan pada hukum fisika bahwa panas selalu mengalir dari gas atau cairan yang lebih panas menuju gas atau cairan yang lebih dingin.
Mesin tersebut bekerja dengan cara memadatkan gas (kompres) sehingga menjadi panas, kemudian gas tersebut dialirkan ke koil- koil untuk diturunkan tekanannya (dekompres).
Alhasil, udara menjadi dingin.

Untuk mengembangkan penemuannya, pada tahun 1845, Gorrie memutuskan untuk berhenti praktik sebagai dokter.
Enam tahun berikutnya, ia berhasil menerima hak paten yang merupakan hak paten pertama yang dikeluarkan untuk sebuah mesin pendingin.
Inilah awalnya ditemukan mesin pendingin yang kini dikenal dengan istilah Air Conditioner.

Diambil dari http://tehfira.blogspot.com/2010/02/sejarah-air-conditioner-ac.html

http://victoriajaya.com

AIR CONDITIONER

Late in April, after Native American actors walked off in disgust from the set of Adam Sandler’s latest film, a western sendup that its distributor, Netflix, has defended as being equally offensive to all, a glow of pride spread through several Native American communities.

Tantoo Cardinal, a Canadian indigenous actress who played Black Shawl in “Dances With Wolves,” recalled thinking to herself, “It’s come.” Larry Sellers, who starred as Cloud Dancing in the 1990s television show “Dr. Quinn, Medicine Woman,” thought, “It’s about time.” Jesse Wente, who is Ojibwe and directs film programming at the TIFF Bell Lightbox in Toronto, found himself encouraged and surprised. There are so few film roles for indigenous actors, he said, that walking off the set of a major production showed real mettle.

But what didn’t surprise Mr. Wente was the content of the script. According to the actors who walked off the set, the film, titled “The Ridiculous Six,” included a Native American woman who passes out and is revived after white men douse her with alcohol, and another woman squatting to urinate while lighting a peace pipe. “There’s enough history at this point to have set some expectations around these sort of Hollywood depictions,” Mr. Wente said.

The walkout prompted a rhetorical “What do you expect from an Adam Sandler film?,” and a Netflix spokesman said that in the movie, blacks, Mexicans and whites were lampooned as well. But Native American actors and critics said a broader issue was at stake. While mainstream portrayals of native peoples have, Mr. Wente said, become “incrementally better” over the decades, he and others say, they remain far from accurate and reflect a lack of opportunities for Native American performers. What’s more, as Native Americans hunger for representation on screen, critics say the absence of three-dimensional portrayals has very real off-screen consequences.

“Our people are still healing from historical trauma,” said Loren Anthony, one of the actors who walked out. “Our youth are still trying to figure out who they are, where they fit in this society. Kids are killing themselves. They’re not proud of who they are.” They also don’t, he added, see themselves on prime time television or the big screen. Netflix noted while about five people walked off the “The Ridiculous Six” set, 100 or so Native American actors and extras stayed.

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But in interviews, nearly a dozen Native American actors and film industry experts said that Mr. Sandler’s humor perpetuated decades-old negative stereotypes. Mr. Anthony said such depictions helped feed the despondency many Native Americans feel, with deadly results: Native Americans have the highest suicide rate out of all the country’s ethnicities.

The on-screen problem is twofold, Mr. Anthony and others said: There’s a paucity of roles for Native Americans — according to the Screen Actors Guild in 2008 they accounted for 0.3 percent of all on-screen parts (those figures have yet to be updated), compared to about 2 percent of the general population — and Native American actors are often perceived in a narrow way.

In his Peabody Award-winning documentary “Reel Injun,” the Cree filmmaker Neil Diamond explored Hollywood depictions of Native Americans over the years, and found they fell into a few stereotypical categories: the Noble Savage, the Drunk Indian, the Mystic, the Indian Princess, the backward tribal people futilely fighting John Wayne and manifest destiny. While the 1990 film “Dances With Wolves” won praise for depicting Native Americans as fully fleshed out human beings, not all indigenous people embraced it. It was still told, critics said, from the colonialists’ point of view. In an interview, John Trudell, a Santee Sioux writer, actor (“Thunderheart”) and the former chairman of the American Indian Movement, described the film as “a story of two white people.”

“God bless ‘Dances with Wolves,’ ” Michael Horse, who played Deputy Hawk in “Twin Peaks,” said sarcastically. “Even ‘Avatar.’ Someone’s got to come save the tribal people.”

Dan Spilo, a partner at Industry Entertainment who represents Adam Beach, one of today’s most prominent Native American actors, said while typecasting dogs many minorities, it is especially intractable when it comes to Native Americans. Casting directors, he said, rarely cast them as police officers, doctors or lawyers. “There’s the belief that the Native American character should be on reservations or riding a horse,” he said.

“We don’t see ourselves,” Mr. Horse said. “We’re still an antiquated culture to them, and to the rest of the world.”

Ms. Cardinal said she was once turned down for the role of the wife of a child-abusing cop because the filmmakers felt that casting her would somehow be “too political.”

Another sore point is the long run of white actors playing American Indians, among them Burt Lancaster, Rock Hudson, Audrey Hepburn and, more recently, Johnny Depp, whose depiction of Tonto in the 2013 film “Lone Ranger,” was viewed as racist by detractors. There are, of course, exceptions. The former A&E series “Longmire,” which, as it happens, will now be on Netflix, was roundly praised for its depiction of life on a Northern Cheyenne reservation, with Lou Diamond Phillips, who is of Cherokee descent, playing a Northern Cheyenne man.

Others also point to the success of Mr. Beach, who played a Mohawk detective in “Law & Order: Special Victims Unit” and landed a starring role in the forthcoming D C Comics picture “Suicide Squad.” Mr. Beach said he had come across insulting scripts backed by people who don’t see anything wrong with them.

“I’d rather starve than do something that is offensive to my ancestral roots,” Mr. Beach said. “But I think there will always be attempts to drawn on the weakness of native people’s struggles. The savage Indian will always be the savage Indian. The white man will always be smarter and more cunning. The cavalry will always win.”

The solution, Mr. Wente, Mr. Trudell and others said, lies in getting more stories written by and starring Native Americans. But Mr. Wente noted that while independent indigenous film has blossomed in the last two decades, mainstream depictions have yet to catch up. “You have to stop expecting for Hollywood to correct it, because there seems to be no ability or desire to correct it,” Mr. Wente said.

There have been calls to boycott Netflix but, writing for Indian Country Today Media Network, which first broke news of the walk off, the filmmaker Brian Young noted that the distributor also offered a number of films by or about Native Americans.

The furor around “The Ridiculous Six” may drive more people to see it. Then one of the questions that Mr. Trudell, echoing others, had about the film will be answered: “Who the hell laughs at this stuff?”

Native American Actors Work to Overcome a Long-Documented Bias

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