Setiap jamaah yang berangkat umroh atau haji khusus Call/Wa. 08111-34-1212 pasti menginginkan perjalanan ibadah haji plus atau umrohnya bisa terlaksana dengan lancar, nyaman dan aman sehingga menjadi mabrur. Demi mewujudkan kami sangat memahami keinginan para jamaah sehingga merancang program haji onh plus dan umroh dengan tepat. Jika anda ingin melaksanakan Umrah dan Haji dengan tidak dihantui rasa was-was dan serta ketidakpastian, maka Alhijaz Indowisata Travel adalah solusi sebagai biro perjalanan anda yang terbaik dan terpercaya.?agenda umroh 12 hari

Gunung Tangkuban Perahu adalah salah satu gunung berapi yang masih aktif hingga kini yang telah terletak di daerah Lembang, Jawa Barat, Indonesia. Gunung Tangkuban Perahu tingginya telah mencapai 2.084 meter (6.837 kaki) dan bentuk dari Gunung Tangkuban Perahu ini adalah stratovulcano dengan pusat erupsi yang telah berpindah dari timur menuju barat.

Gunung Tangkuban Perahu terakhir kali meletus pada tahun 2013 lalu. Jenis batuan yang di keluarkan Gunung Tangkuban Perahu melalui letusannya kebanyakan adalah lava dan sulfur. Mineral yang telah dikeluarkan oleh Gunung Tangkuban Perahu adalah berupa sulfur belerang. Di saat tidak aktif, mineral yang telah dikeluarkan oleh Gunung Tangkuban Perahu adalah berupa uap belerang.
Gunung Tangkuban Perahu

Gunung Tangkuban Perahu

Kawasan wisata Gunung Tangkuban Perahu dikelola oleh perum perhutanan. Tempat Wisata Gunung Tangkuban Perahu telah memiliki suhu rata-rata setiap harinya adalah 17 derajat C pada siang hari dan pada malam hari bisa mencapai suhu rata-rata 2 derajat C. Gunung Tangkuban Perahu juga memiliki kawasan perhutanan seperti hutan dipterokarp bukit, hutan dipterokarp atas, hutan montane, dan yang terakhir ialah hutan ericaceous atau lebih dikenal dengan sebutan hutan gunung.

Gunung Tangkuban Perahu juga sering dikaitkan dengan lagenda Sangkuriang, pasti anda juga sudah tau ceritanya bukan. Bagi yang masih belum tau ceritanya akan saya coba ceritakan ulang lagenda Sangkuriang, secara singkatnya sih ceritanya “Sangkuriang mencintai ibunya sendiri yaitu Dayang Sumbi. Dayang sumbi pun telah mendapatkan cara untuk menggagalkan niat Sangkuriang yang mau menikahinya yaitu dengan mengajukan persyaratan sangkuriang harus membuat perahu dalam waktu semalam. Ketika usaha Sangkuriang untuk membuat perahu dalam semalam gagal, Sangkuriang pun marah dan ia menendang perahu yang dia buat tadi hingga terbalik. Perahu inilah yang kemudian menjadi Gunung Tangkuban Perahu.”
Taman Wisata Alam Gunung Tangkuban Perahu

Taman Wisata Alam Gunung Tangkuban Perahu

Gunung Tangkuban Perahu juga merupakan salah satu gunung berapi yang masih aktif yang statusnya diawasi terus oleh Direktorat Vulkanologi Indonesia. Beberapa kawah di kawasan wisata Gunung Tangkuban Perahu masih telah menunjukkan bahwa gunung ini masih aktif dengan tanda-tanda keaktifannya yaitu munculnya gas belerang dan sumber-sumber air panas di kaki gunungnya seperti halnya di Kasawan Ciater, Subang.

Tapi jangan salah, walaupun Gunung Tangkuban Perahu merupakan gunung berapi yang masih aktif bukan berarti tidak ada orang yang mau berwisata ke gunung ini. Justru tempat wisata Gunung Tangkuban Perahu sangat ramai dikunjungi oleh wisatawan lokal maupun asing. Obyek wisata yang bisa anda kunjungi saat berada di kawasan wisata Gunung Tangkuban Perahu seperti Kawah Ratu, Kawah Upas, Kawah Domas dan Kawah Jurig.
Kawah Ratu Tangkuban Perahu

Kawah Ratu Tangkuban Perahu

Apa yang menarik dari Gunung Tangkuban Perahu ini? Gunung Tangkuban Perahu juga merupakan salah satu tempat wisata alam yang juga telah memacu adrenalin. Keindahan alam yang sangat jarang anda temukan akan anda temukan di sini. Di kawasan wisata Gunung Tangkuban Perahu anda juga dapat merasakan keindahan alam yang masih terjaga kealamiannya hingga saat ini. Berjalan menjelajahi hutan di daerah Gunung Tangkuban Perahu dan merasakan dahsyatnya suasana di dekat gunung berapi.

Gunung Tangkuban Perahu juga merupakan tempat wisata alam yang sangat cocok untuk anda berlibur bersama keluarga maupun sahabat anda sambil berfoto di kawasan gunung berapi. Hal ini juga merupakan kejadian langka dan dapat anda jadikan kenang-kenangan seumur hidup. Jika anda ingin berkunjung ke Gunung Tangkuban Perahu jangan takut, karena nanti akan ada pemandu yang siap memandu anda.

Untuk sampai ke obyek wisata Gunung Tangkuban Perahu, anda bisa berangkat dari kota Bandung menuju arah utara (arah Subang). Kurang lebih berjarak 20 km dari pusat kota Bandung. Banyak angkutan umum yang siap mengantar anda menuju wisata alam Gunung Tangkuban Perahu ini.

Late in April, after Native American actors walked off in disgust from the set of Adam Sandler’s latest film, a western sendup that its distributor, Netflix, has defended as being equally offensive to all, a glow of pride spread through several Native American communities.

Tantoo Cardinal, a Canadian indigenous actress who played Black Shawl in “Dances With Wolves,” recalled thinking to herself, “It’s come.” Larry Sellers, who starred as Cloud Dancing in the 1990s television show “Dr. Quinn, Medicine Woman,” thought, “It’s about time.” Jesse Wente, who is Ojibwe and directs film programming at the TIFF Bell Lightbox in Toronto, found himself encouraged and surprised. There are so few film roles for indigenous actors, he said, that walking off the set of a major production showed real mettle.

But what didn’t surprise Mr. Wente was the content of the script. According to the actors who walked off the set, the film, titled “The Ridiculous Six,” included a Native American woman who passes out and is revived after white men douse her with alcohol, and another woman squatting to urinate while lighting a peace pipe. “There’s enough history at this point to have set some expectations around these sort of Hollywood depictions,” Mr. Wente said.

The walkout prompted a rhetorical “What do you expect from an Adam Sandler film?,” and a Netflix spokesman said that in the movie, blacks, Mexicans and whites were lampooned as well. But Native American actors and critics said a broader issue was at stake. While mainstream portrayals of native peoples have, Mr. Wente said, become “incrementally better” over the decades, he and others say, they remain far from accurate and reflect a lack of opportunities for Native American performers. What’s more, as Native Americans hunger for representation on screen, critics say the absence of three-dimensional portrayals has very real off-screen consequences.

“Our people are still healing from historical trauma,” said Loren Anthony, one of the actors who walked out. “Our youth are still trying to figure out who they are, where they fit in this society. Kids are killing themselves. They’re not proud of who they are.” They also don’t, he added, see themselves on prime time television or the big screen. Netflix noted while about five people walked off the “The Ridiculous Six” set, 100 or so Native American actors and extras stayed.

But in interviews, nearly a dozen Native American actors and film industry experts said that Mr. Sandler’s humor perpetuated decades-old negative stereotypes. Mr. Anthony said such depictions helped feed the despondency many Native Americans feel, with deadly results: Native Americans have the highest suicide rate out of all the country’s ethnicities.

The on-screen problem is twofold, Mr. Anthony and others said: There’s a paucity of roles for Native Americans — according to the Screen Actors Guild in 2008 they accounted for 0.3 percent of all on-screen parts (those figures have yet to be updated), compared to about 2 percent of the general population — and Native American actors are often perceived in a narrow way.

In his Peabody Award-winning documentary “Reel Injun,” the Cree filmmaker Neil Diamond explored Hollywood depictions of Native Americans over the years, and found they fell into a few stereotypical categories: the Noble Savage, the Drunk Indian, the Mystic, the Indian Princess, the backward tribal people futilely fighting John Wayne and manifest destiny. While the 1990 film “Dances With Wolves” won praise for depicting Native Americans as fully fleshed out human beings, not all indigenous people embraced it. It was still told, critics said, from the colonialists’ point of view. In an interview, John Trudell, a Santee Sioux writer, actor (“Thunderheart”) and the former chairman of the American Indian Movement, described the film as “a story of two white people.”

“God bless ‘Dances with Wolves,’ ” Michael Horse, who played Deputy Hawk in “Twin Peaks,” said sarcastically. “Even ‘Avatar.’ Someone’s got to come save the tribal people.”

Dan Spilo, a partner at Industry Entertainment who represents Adam Beach, one of today’s most prominent Native American actors, said while typecasting dogs many minorities, it is especially intractable when it comes to Native Americans. Casting directors, he said, rarely cast them as police officers, doctors or lawyers. “There’s the belief that the Native American character should be on reservations or riding a horse,” he said.

“We don’t see ourselves,” Mr. Horse said. “We’re still an antiquated culture to them, and to the rest of the world.”

Ms. Cardinal said she was once turned down for the role of the wife of a child-abusing cop because the filmmakers felt that casting her would somehow be “too political.”

Another sore point is the long run of white actors playing American Indians, among them Burt Lancaster, Rock Hudson, Audrey Hepburn and, more recently, Johnny Depp, whose depiction of Tonto in the 2013 film “Lone Ranger,” was viewed as racist by detractors. There are, of course, exceptions. The former A&E series “Longmire,” which, as it happens, will now be on Netflix, was roundly praised for its depiction of life on a Northern Cheyenne reservation, with Lou Diamond Phillips, who is of Cherokee descent, playing a Northern Cheyenne man.

Others also point to the success of Mr. Beach, who played a Mohawk detective in “Law & Order: Special Victims Unit” and landed a starring role in the forthcoming D C Comics picture “Suicide Squad.” Mr. Beach said he had come across insulting scripts backed by people who don’t see anything wrong with them.

“I’d rather starve than do something that is offensive to my ancestral roots,” Mr. Beach said. “But I think there will always be attempts to drawn on the weakness of native people’s struggles. The savage Indian will always be the savage Indian. The white man will always be smarter and more cunning. The cavalry will always win.”

The solution, Mr. Wente, Mr. Trudell and others said, lies in getting more stories written by and starring Native Americans. But Mr. Wente noted that while independent indigenous film has blossomed in the last two decades, mainstream depictions have yet to catch up. “You have to stop expecting for Hollywood to correct it, because there seems to be no ability or desire to correct it,” Mr. Wente said.

There have been calls to boycott Netflix but, writing for Indian Country Today Media Network, which first broke news of the walk off, the filmmaker Brian Young noted that the distributor also offered a number of films by or about Native Americans.

The furor around “The Ridiculous Six” may drive more people to see it. Then one of the questions that Mr. Trudell, echoing others, had about the film will be answered: “Who the hell laughs at this stuff?”