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Caleg Gelar Ritual di Sungai demi Dapatkan Kursi
NGAWI, Saco-Indonesia.com — Seorang Perempuan calon anggota legislatif (Caleg) Dapil V DPRD Kabupaten Ngawi dari Partai Demokrat, Miftahul Jannah, ditemani suaminya menggelar ritual doa dan mandi di Sungai Tempuk Alas Ketonggo (Srigati) Desa Babadan, Kecamatan Paron, Kabupaten Ngawi, Rabu (12/3/2014) kemarin.
Ritual dilakukan agar bisa lolos menjadi anggota DPRD Kabupaten Ngawi dalam Pemilihan Umum Lagislatif (Pileg) 9 April 2014.
Surya/Sudarmawan Miftahul Jannah membasuh muka
Surya/Sudarmawan Miftahul Jannah membasuh muka
Berbagai upaya, termasuk upaya spiritual yang tidak masuk akal dilakukan para caleg di daerah untuk mendapatkan berkah dan terpilih menjadi wakil rakyat. Puluhan caleg mendatangi tempat ini, tetapi kebanyakan melakukan ritual di sungai ini secara sembunyi.
Tak hanya Miftahul Jannah, sejak sebulan mendekati pelaksanaan pemilihan umum legislatif (Pileg), puluhan calon anggota legislatif (Caleg) sudah berdatangan ke Alas Ketonggo (Srigati).
Mereka datang ke Alas Ketonggo untuk menggelar ritual doa dan mandi di Sungai Tempuk yang ada di tengah hutan jati itu.
Juru Kunci Alas Ketonggo, Marji, mengatakan, sudah banyak caleg yang datang ke Alas Ketonggo untuk menggelar ritual berdoa dan mandi di Sungai Tumpuk.
Surya/Sudarmawan Miftahul Jannah saat ritual doa dan mandi di Sungai Tempuk
Surya/Sudarmawan Miftahul Jannah saat ritual doa dan mandi di Sungai Tempuk
Rata-rata mereka berharap bisa lolos menjadi anggota DPR RI, DPRD Provinsi, DPRD Kabupaten, dan DPD di lokasi yang dianggap keramat itu.
"Yang datang kalau puluhan atau sekitar 50 orang sudah ada. Rata-rata datangnya secara sembunyi-sembunyi. Kalau namanya saya lupa mereka merata dari bermacam-macam partai yang bertarung dalam Pileg 9 April itu. Wong sehari sudah ada 3 sampai 5 orang sejak dua pekan terakhir," kata Marji.
Ghostly Voices From Thomas Edison’s Dolls Can Now Be Heard
Though Robin and Joan Rolfs owned two rare talking dolls manufactured by Thomas Edison’s phonograph company in 1890, they did not dare play the wax cylinder records tucked inside each one.
The Rolfses, longtime collectors of Edison phonographs, knew that if they turned the cranks on the dolls’ backs, the steel phonograph needle might damage or destroy the grooves of the hollow, ring-shaped cylinder. And so for years, the dolls sat side by side inside a display cabinet, bearers of a message from the dawn of sound recording that nobody could hear.
In 1890, Edison’s dolls were a flop; production lasted only six weeks. Children found them difficult to operate and more scary than cuddly. The recordings inside, which featured snippets of nursery rhymes, wore out quickly.
Yet sound historians say the cylinders were the first entertainment records ever made, and the young girls hired to recite the rhymes were the world’s first recording artists.
Year after year, the Rolfses asked experts if there might be a safe way to play the recordings. Then a government laboratory developed a method to play fragile records without touching them.
The technique relies on a microscope to create images of the grooves in exquisite detail. A computer approximates — with great accuracy — the sounds that would have been created by a needle moving through those grooves.
In 2014, the technology was made available for the first time outside the laboratory.
“The fear all along is that we don’t want to damage these records. We don’t want to put a stylus on them,” said Jerry Fabris, the curator of the Thomas Edison Historical Park in West Orange, N.J. “Now we have the technology to play them safely.”
Last month, the Historical Park posted online three never-before-heard Edison doll recordings, including the two from the Rolfses’ collection. “There are probably more out there, and we’re hoping people will now get them digitized,” Mr. Fabris said.
The technology, which is known as Irene (Image, Reconstruct, Erase Noise, Etc.), was developed by the particle physicist Carl Haber and the engineer Earl Cornell at Lawrence Berkeley. Irene extracts sound from cylinder and disk records. It can also reconstruct audio from recordings so badly damaged they were deemed unplayable.
“We are now hearing sounds from history that I did not expect to hear in my lifetime,” Mr. Fabris said.
The Rolfses said they were not sure what to expect in August when they carefully packed their two Edison doll cylinders, still attached to their motors, and drove from their home in Hortonville, Wis., to the National Document Conservation Center in Andover, Mass. The center had recently acquired Irene technology.
Cylinders carry sound in a spiral groove cut by a phonograph recording needle that vibrates up and down, creating a surface made of tiny hills and valleys. In the Irene set-up, a microscope perched above the shaft takes thousands of high-resolution images of small sections of the grooves.
Stitched together, the images provide a topographic map of the cylinder’s surface, charting changes in depth as small as one five-hundredth the thickness of a human hair. Pitch, volume and timbre are all encoded in the hills and valleys and the speed at which the record is played.
At the conservation center, the preservation specialist Mason Vander Lugt attached one of the cylinders to the end of a rotating shaft. Huddled around a computer screen, the Rolfses first saw the wiggly waveform generated by Irene. Then came the digital audio. The words were at first indistinct, but as Mr. Lugt filtered out more of the noise, the rhyme became clearer.
“That was the Eureka moment,” Mr. Rolfs said.
In 1890, a girl in Edison’s laboratory had recited:
There was a little girl,
And she had a little curl
Right in the middle of her forehead.
When she was good,
She was very, very good.
But when she was bad, she was horrid.
Recently, the conservation center turned up another surprise.
In 2010, the Woody Guthrie Foundation received 18 oversize phonograph disks from an anonymous donor. No one knew if any of the dirt-stained recordings featured Guthrie, but Tiffany Colannino, then the foundation’s archivist, had stored them unplayed until she heard about Irene.
Last fall, the center extracted audio from one of the records, labeled “Jam Session 9” and emailed the digital file to Ms. Colannino.
“I was just sitting in my dining room, and the next thing I know, I’m hearing Woody,” she said. In between solo performances of “Ladies Auxiliary,” “Jesus Christ,” and “Dead or Alive,” Guthrie tells jokes, offers some back story, and makes the audience laugh. “It is quintessential Guthrie,” Ms. Colannino said.
The Rolfses’ dolls are back in the display cabinet in Wisconsin. But with audio stored on several computers, they now have a permanent voice.