Travel Umroh bulan Mei

JAKARTA, Saco- - PT The Master Steel diduga memberikan uang kepada dua pegawai Direktorat Jenderal Pajak Mohamad Dian Irwan Nuqishira dengan dan Eko Darmayanto secara bertahap. Sebelum tertangkap tangan pada Rabu (15/5/2013), Dian dan Eko diduga telah menerima uang dengan nilai yang sama, yakni 300.000 dollar Singapura pada 7 Mei 2013.

Adapun, Dian dan Eko tertangkap tangan sesaat seusai diduga menerima uang 300.000 dollar Singapura atau sekitar Rp 2,3 miliar dari karyawan PT The Master Steel bernama Effendi melalui Teddy yang diduga sebagai kurir.

"KPK juga memeroleh informasi bahwa ED (Eko Darmayanto) dan MDI (Mohamad Dian Irwan) juga menerima 300 ribu dollar Singapura sebelum proses yang tadi dari sumber yang tadi. Bisa dikatakan pemberian lebih dari sekali, yang dapat diinformasikan KPK dua kali, kita kan belum tau kalau ada lagi," kata Juru Bicara KPK Johan Budi, Rabu (15/5/2013) malam.

Johan juga belum dapat memastikan berapa total nilai komitmen fee yang dijanjikan PT The Master Steel kepada dua pegawai pajak itu. Kedua pegawai pajak itu masih diperiksa KPK bersamaan dengan Effendi dan Teddy. Menurut Johan, pemberian uang ini diduga bertujuan menyelesaikan persoalan pajak PT The Master Steel. Perusahaan baja itu diduga memiliki tunggakan pajak.

"PT The MS (Master Steel) ini punya persoalan pajak kemudian dikoordinasikan dengan ED (Eko) dan MDI (Mohamad Dian) biar tidak jadi persoalan. Jadi ada semacam tunggakan," ungkapnya.

Direktur Jenderal Pajak Fuad Rahmany mengakui bahwa PT The Master Steel memang bermasalah dalam pembayaran pajak. Ada semacam upaya untuk menghindar dari kewajiban membayar pajak.

"Penghindaran pajak lah intinya," kata Fuad.

Dia juga mengatakan, masalah pembayaran pajak The Master Steel ini sudah masuk tahap penyidikan di Direktorat Jenderal Pajak. Proses penyidikan masalah perusahaan ini, menurut Fuad, dilakukan tim penyidik yang beranggotakan Mohammad Dian, Eko, serta pemeriksa pajak lainnya.

"Si antara tim penyidik tersebut ada beberapa orang dan yang dua ini kongkalikong dengan wajib pajaknya," ungkap Fuad.

Dia juga mengaku tidak tahu apa yang dijanjikan The Master Steel kepada dua pegawai pajak itu sehingga terjadi kongkalingkong di antara kedua belah pihak. Seperi diberitakan sebelumnya, KPK menangkap Mohamad Dian dan Eko sesaat setelah diduga menerima uang dari Effendi melalui Teddy.

Dian dan Eko tertangkap di halaman parkir Bandara Soekarno-Hatta bersama dengan Teddy, sementara Effendi diringkus dalam perjalanan di Kelapa Gading, Jakarta. Johan menuturkan, modus serah terima uang yang dilakoni para pegawai pajak dan pihak swasta ini tergolong unik. Pada Selasa (14/5/2013) malam, menurut Johan, Mohamad Dian membawa Avanza hitam ke halaman terminal III Bandara Soekarno-Hatta. Dian kemudian memarkir mobil tersebut di halaman bandara, lalu menyerahkan kunci mobil itu kepada Teddy yang diduga sebagai kurir.

"Mereka kemudian pergi," tambah Johan.

KPK menduga, Teddy kemudian meletakkan uang 300.000 dollar AS di dalam mobil Avanza Hitam tersebut setelah Dian pergi. Pagi harinya, setelah uang dimasukkan ke dalam mobil, kata Johan, Dian dan Eko kembali ke parkiran bandara. "Di sana juga sudah ada T (Teddy) dan ada uangnya," tambah Johan.

Setelah uang dipastikan berpindah tangan, tim penyidik KPK langsung meringkus ketiga orang itu, kemudian menangkap Effendi.

Editor :Liwon Maulana(galipat)
Pemberian Uang ke Pegawai Pajak Bukan Hanya Sekali

Though Robin and Joan Rolfs owned two rare talking dolls manufactured by Thomas Edison’s phonograph company in 1890, they did not dare play the wax cylinder records tucked inside each one.

The Rolfses, longtime collectors of Edison phonographs, knew that if they turned the cranks on the dolls’ backs, the steel phonograph needle might damage or destroy the grooves of the hollow, ring-shaped cylinder. And so for years, the dolls sat side by side inside a display cabinet, bearers of a message from the dawn of sound recording that nobody could hear.

In 1890, Edison’s dolls were a flop; production lasted only six weeks. Children found them difficult to operate and more scary than cuddly. The recordings inside, which featured snippets of nursery rhymes, wore out quickly.

Yet sound historians say the cylinders were the first entertainment records ever made, and the young girls hired to recite the rhymes were the world’s first recording artists.

Year after year, the Rolfses asked experts if there might be a safe way to play the recordings. Then a government laboratory developed a method to play fragile records without touching them.


The technique relies on a microscope to create images of the grooves in exquisite detail. A computer approximates — with great accuracy — the sounds that would have been created by a needle moving through those grooves.

In 2014, the technology was made available for the first time outside the laboratory.

“The fear all along is that we don’t want to damage these records. We don’t want to put a stylus on them,” said Jerry Fabris, the curator of the Thomas Edison Historical Park in West Orange, N.J. “Now we have the technology to play them safely.”

Last month, the Historical Park posted online three never-before-heard Edison doll recordings, including the two from the Rolfses’ collection. “There are probably more out there, and we’re hoping people will now get them digitized,” Mr. Fabris said.

The technology, which is known as Irene (Image, Reconstruct, Erase Noise, Etc.), was developed by the particle physicist Carl Haber and the engineer Earl Cornell at Lawrence Berkeley. Irene extracts sound from cylinder and disk records. It can also reconstruct audio from recordings so badly damaged they were deemed unplayable.

“We are now hearing sounds from history that I did not expect to hear in my lifetime,” Mr. Fabris said.

The Rolfses said they were not sure what to expect in August when they carefully packed their two Edison doll cylinders, still attached to their motors, and drove from their home in Hortonville, Wis., to the National Document Conservation Center in Andover, Mass. The center had recently acquired Irene technology.


Cylinders carry sound in a spiral groove cut by a phonograph recording needle that vibrates up and down, creating a surface made of tiny hills and valleys. In the Irene set-up, a microscope perched above the shaft takes thousands of high-resolution images of small sections of the grooves.

Stitched together, the images provide a topographic map of the cylinder’s surface, charting changes in depth as small as one five-hundredth the thickness of a human hair. Pitch, volume and timbre are all encoded in the hills and valleys and the speed at which the record is played.

At the conservation center, the preservation specialist Mason Vander Lugt attached one of the cylinders to the end of a rotating shaft. Huddled around a computer screen, the Rolfses first saw the wiggly waveform generated by Irene. Then came the digital audio. The words were at first indistinct, but as Mr. Lugt filtered out more of the noise, the rhyme became clearer.

“That was the Eureka moment,” Mr. Rolfs said.

In 1890, a girl in Edison’s laboratory had recited:

There was a little girl,

And she had a little curl


Right in the middle of her forehead.

When she was good,

She was very, very good.

But when she was bad, she was horrid.

Recently, the conservation center turned up another surprise.

In 2010, the Woody Guthrie Foundation received 18 oversize phonograph disks from an anonymous donor. No one knew if any of the dirt-stained recordings featured Guthrie, but Tiffany Colannino, then the foundation’s archivist, had stored them unplayed until she heard about Irene.

Last fall, the center extracted audio from one of the records, labeled “Jam Session 9” and emailed the digital file to Ms. Colannino.

“I was just sitting in my dining room, and the next thing I know, I’m hearing Woody,” she said. In between solo performances of “Ladies Auxiliary,” “Jesus Christ,” and “Dead or Alive,” Guthrie tells jokes, offers some back story, and makes the audience laugh. “It is quintessential Guthrie,” Ms. Colannino said.

The Rolfses’ dolls are back in the display cabinet in Wisconsin. But with audio stored on several computers, they now have a permanent voice.

Ghostly Voices From Thomas Edison’s Dolls Can Now Be Heard

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