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REPUBLIKA.CO.ID, Rasulullah SAW meletakkan batu pertama Masjid Quba tepat di kiblatnya.

Semua masjid yang berada di Makkah, Madinah, dan Palestina selalu istimewa bagi umat Islam. Masjid-masjid ini punya nilai yang lekat dengan sejarah peradaban Islam. Begitupun dengan masjid Quba.

Menilik dari sejarahnya, Masjid Quba punya nilai historis yang sangat tinggi. Masjid ini adalah masjid pertama yang dibangun Rasulullah SAW.

Masjid Quba dibangun pada awal peradaban Islam. Tepatnya, 8 Rabiul Awal pada 1 Hijriyah. Lokasinya berada di sebelah tenggara Kota Madinah, lima kilometer di luarnya.

Dulu, masjid ini dibangun dengan bahan yang sangat sederhana. Seiring berjalannya waktu, renovasi banyak dilakukan Kerajaan Arab Saudi.

Masjid ini juga mengalami perluasan. Dalam buku berjudul Sejarah Madinah Munawwarah yang ditulis Dr Muhammad Ilyas Abdul Ghani, dijelaskan masjid ini direnovasi besar-besaran pada 1986.

Kala itu, Pemerintah Arab Saudi bahkan mengeluarkan dana hingga 90 juta riyal Saudi untuk memperluas masjid ini yang nantinya bisa menampung 20 ribu jamaah yang mengunjunginya.

Dalam sejarah yang dituliskan, tokoh Islam yang memegang peranan penting dalam pembangunan masjid ini adalah Sayyidina ‘Ammar Radhiyallahu lanhu.

Ketika Rasulullah SAW berhijrah dari Makkah ke Madinah, pria ini mengusulkan untuk membangun tempat berteduh bagi sang Nabi di kampung Quba yang tadinya hanya terdiri atas hamparan kebun kurma.

Kemudian, dikumpulkanlah batu-batu dan disusun menjadi masjid yang sangat sederhana. Meskipun tak seberapa besar, paling tidak bangunan ini bisa menjadi tempat berteduh bagi rombongan Rasulullah. Mereka pun bisa beristirahat kala siang hari dan mendirikan shalat dengan tenang.

Rasulullah SAW meletakkan batu pertama tepat di kiblatnya dan ikut menyusun batu-batu selanjutnya hingga bisa menjadi pondasi dan dinding masjid.

Rasullullah SAW dibantu para sahabat dan kaum Muslim yang lain. Ammar menjadi pengikut Rasulullah yang paling rajin dalam membangun masjid ini.

Tanpa kenal lelah, ia membawa batu-batu yang ukurannya sangat besar, hingga orang lain tak sanggup mengangkatnya. Ammar mengikatkan batu itu ke perutnya sendiri dan membawanya untuk dijadikan bahan bangunan penyusun masjid ini.

Ammar memang selalu dikisahkan sebagai prajurit yang sangat perkasa bagi pasukan Islam. Dia mati syahid pada usia 92 tahun.

Pada awal pembangunannya yang dibangun dengan tangan Rasulullah sendiri masjid ini berdiri di atas kebun kurma. Luas kebun kurmanya kala itu 5.000 meter persegi dan masjidnya baru sekitar 1.200 meter persegi. Rasulullah sendiri pula yang mengonsep desain dan model masjidnya.

Meskipun sangat sederhana, Masjid Quba boleh dianggap sebagai contoh bentuk masjid-masjid selanjutnya. Bangunan yang sangat sederhana kala itu sudah memenuhi syarat-syarat yang perlu untuk pendirian masjid.

Masjid ini telah memiliki sebuah ruang persegi empat dan berdinding di sekelilingnya. Di sebelah utara dibuat serambi untuk tempat sembahyang.

Dulu, ruangan ini bertiangkan pohon kurma, beratap datar dari pelepah, dan daun korma yang dicampur dengan tanah liat. Di tengah-tengah ruang terbuka dalam masjid yang kemudian biasa disebut sahn terdapat sebuah sumur tempat wudhu.

Di sini, jamaah bisa mengambil air untuk membersihkan diri. Dalam masjid ini, kebersihan selalu terjaga, cahaya matahari dan udara pun dapat masuk dengan leluasa. – (jurnalhaji.com)

Sumber : http://saharakafila.com

Baca Artikel Lainnya : PERLUASAN MASJIDIL HARAM

MASJID PERTAMA YANG DI BANGUN RASULULLAH

Though Robin and Joan Rolfs owned two rare talking dolls manufactured by Thomas Edison’s phonograph company in 1890, they did not dare play the wax cylinder records tucked inside each one.

The Rolfses, longtime collectors of Edison phonographs, knew that if they turned the cranks on the dolls’ backs, the steel phonograph needle might damage or destroy the grooves of the hollow, ring-shaped cylinder. And so for years, the dolls sat side by side inside a display cabinet, bearers of a message from the dawn of sound recording that nobody could hear.

In 1890, Edison’s dolls were a flop; production lasted only six weeks. Children found them difficult to operate and more scary than cuddly. The recordings inside, which featured snippets of nursery rhymes, wore out quickly.

Yet sound historians say the cylinders were the first entertainment records ever made, and the young girls hired to recite the rhymes were the world’s first recording artists.

Year after year, the Rolfses asked experts if there might be a safe way to play the recordings. Then a government laboratory developed a method to play fragile records without touching them.

Audio

The technique relies on a microscope to create images of the grooves in exquisite detail. A computer approximates — with great accuracy — the sounds that would have been created by a needle moving through those grooves.

In 2014, the technology was made available for the first time outside the laboratory.

“The fear all along is that we don’t want to damage these records. We don’t want to put a stylus on them,” said Jerry Fabris, the curator of the Thomas Edison Historical Park in West Orange, N.J. “Now we have the technology to play them safely.”

Last month, the Historical Park posted online three never-before-heard Edison doll recordings, including the two from the Rolfses’ collection. “There are probably more out there, and we’re hoping people will now get them digitized,” Mr. Fabris said.

The technology, which is known as Irene (Image, Reconstruct, Erase Noise, Etc.), was developed by the particle physicist Carl Haber and the engineer Earl Cornell at Lawrence Berkeley. Irene extracts sound from cylinder and disk records. It can also reconstruct audio from recordings so badly damaged they were deemed unplayable.

“We are now hearing sounds from history that I did not expect to hear in my lifetime,” Mr. Fabris said.

The Rolfses said they were not sure what to expect in August when they carefully packed their two Edison doll cylinders, still attached to their motors, and drove from their home in Hortonville, Wis., to the National Document Conservation Center in Andover, Mass. The center had recently acquired Irene technology.

Audio

Cylinders carry sound in a spiral groove cut by a phonograph recording needle that vibrates up and down, creating a surface made of tiny hills and valleys. In the Irene set-up, a microscope perched above the shaft takes thousands of high-resolution images of small sections of the grooves.

Stitched together, the images provide a topographic map of the cylinder’s surface, charting changes in depth as small as one five-hundredth the thickness of a human hair. Pitch, volume and timbre are all encoded in the hills and valleys and the speed at which the record is played.

At the conservation center, the preservation specialist Mason Vander Lugt attached one of the cylinders to the end of a rotating shaft. Huddled around a computer screen, the Rolfses first saw the wiggly waveform generated by Irene. Then came the digital audio. The words were at first indistinct, but as Mr. Lugt filtered out more of the noise, the rhyme became clearer.

“That was the Eureka moment,” Mr. Rolfs said.

In 1890, a girl in Edison’s laboratory had recited:

There was a little girl,

And she had a little curl

Audio

Right in the middle of her forehead.

When she was good,

She was very, very good.

But when she was bad, she was horrid.

Recently, the conservation center turned up another surprise.

In 2010, the Woody Guthrie Foundation received 18 oversize phonograph disks from an anonymous donor. No one knew if any of the dirt-stained recordings featured Guthrie, but Tiffany Colannino, then the foundation’s archivist, had stored them unplayed until she heard about Irene.

Last fall, the center extracted audio from one of the records, labeled “Jam Session 9” and emailed the digital file to Ms. Colannino.

“I was just sitting in my dining room, and the next thing I know, I’m hearing Woody,” she said. In between solo performances of “Ladies Auxiliary,” “Jesus Christ,” and “Dead or Alive,” Guthrie tells jokes, offers some back story, and makes the audience laugh. “It is quintessential Guthrie,” Ms. Colannino said.

The Rolfses’ dolls are back in the display cabinet in Wisconsin. But with audio stored on several computers, they now have a permanent voice.

Ghostly Voices From Thomas Edison’s Dolls Can Now Be Heard

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